I deliberately identified our "Kiri Tsuki" even as a fully fledged school, to meet this little analysis, due to the fact that if gutted, this practice hides a vast landscape of subsections.
Let me begin by just an example of a daily study program that could draw a deep approach to "school" Kiri Tsuki.
Facing the right way this school is a better study of Katayama Tradition in its entirety.
The strategic concepts can then be born from a careful research, meticulous and relentless core of the weapon that is used in this school.
KIRI TSUKA RYU - Via learning:
First Circle:
DRAW IN FEET
Second Circle:
DRAW SEIZA
Third circle:
KATA STANDING
Fourth circle:
KATA SEIZA
Fifth circle:
EXERCISES ON TARGET
(Each circle then hides the other three sub-studies)
The analysis of the fundamentals of Kiri Tsuki, and creates cutting tactics in different positions and angles: from bottom to top, top to bottom, in feet, backwards, Seiza, etc ...
One of the cornerstones of Kiri Tsuki is above all the awareness that it is a single action with the pointing device.
Undoubtedly, pointing to a wrong, it will not pay a proper, extraction, despite its size, can be identified as the continuation of the sighting.
The correct grip of the gun, pointing at the stage, it is incredibly important.
The main exercise, depends primarily on the manner in which they are given the right timing to the work of "passing the baton" hands, the cutting action does not start from the position reached, but from the moment you start pointing .
This fundamental movement will be described from different perspectives in chapters on the strategy of the weapon.
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